Describe it softly. Let layers of space and motion gather. Take it with you when it feels right.
Stack effects in any order β soften, then pitch, then add space. SoundTouch pitch & time can sit anywhere in the flow.
Most audio tools look like a cockpit. Aurora asks the opposite question: what if shaping a sound felt like a slow exhale? The same four-stage pipeline lives here β generation, a freely interleaved Tone.js + SoundTouch chain, and export β but every edge is softened and every motion slowed.
Frosted panels float over a living aurora. The interface recedes so the sound, and the person making it, can come forward. Low contrast on purpose β nothing competes for attention.
Effects are βlayersβ you stack and re-stack. The language is gentle but the engine is the same unified rack: Tone and SoundTouch interleave freely, so pitch and space can be placed wherever they feel right.
The waveform is a flowing ribbon, not a clinical scope β it undulates with the sound's motion and brightness so you feel changes before you read them.
Ambient, meditation, sleep and ASMR creators β anyone for whom the feeling of the tool matters as much as the output. The trade-off: it favours mood over information density.
mocked engine Β· one shared model across all four stages Β· indigo / aurora theme